The art varied; it was mostly "underground" art of various sorts (think "ooh, am I OFFENDING your BOURGEOIS SENSIBILITIES? Good. *Fuck* *you*, suburban YUPPIE PIG!"). A lot of stencil art (some very intricate), done on old car doors, some of that homie graf/stencil/sticker hybrid stuff that's going up all over the city (there was one piece by "Monkey" and someone else, depicting a fantastic world, with their tags all over everything; got to love the hip-hop culture's tendency towards self-mythologisation), underground comics from members of Silent Army, someone's set of nude drawings of female artists (done as a set of postcards, yours for $10), and underworld hitman-turned-artistic cause celebre Chopper Read's own paintings, showing crude figures of big-breasted women with Ned Kelly helmets (alas, I'm not sufficiently well-versed in contemporary art to tell whether Chopper's art is a work of postmodern genre-crossing genius, a curiosity of "outsider art" notable more for who made it than its own virtues, or a publicity stunt). Chopper didn't seem to be there, though there were quite a few bikies with short-cropped hair, tattoos, big bushy beards and, in one case, Nazi patches. Which, I suppose, made the whole thing a lot more edgy and hardcore and "keeping it real". Oh, and Cameron Potts was there, in his "Osama Bin Laden World Hero" T-shirt. Meanwhile, a band (consisting of members of Jihad Against America and/or The Eggs, I'm told) made noises with distorted guitars and a theremin.
Later on, I went to the Tote, seeing several bands. Disaster Plan were fairly good and tight, and did a very good cover of New Order's Age Of Consent, with very appropriate strings. They also had Laura Macfarlane playing with them, helping out on viola, vibes, Casio keyboard and backing vocals. (I managed to speak with Laura later on; she's apparently planning to do some solo gigs with just a guitar soon.) Bit By Bats, meanwhile, started off as fairly ordinary post-new-wave garage rock, though got tighter as they went along.