Future Music has finally gotten to reviewing This Is A Heavy Product, which I sent them some 5 months ago:
I'm not sure about the "very strict programmed rock drum track" parts; maybe they didn't make it to the somewhat Cameron Potts-esque drum break after the false ending. And I imagine the synth would lose a lot of its angularity if I bathed it in reverb.
I know that, though the plasticky, angular, primitive quality was part of the aesthetic decisions made. There were several layers of dry synth sounds there as well (though some used delays), and distortion/overdrive was used in places.
There's a MP3 of the track here.